DIT & Data Management
Securing production assets and COM data is our number one priority. We focus on efficient data management workflows for large format cameras and data heavy projects. This enables high productivity onset, reducing overtime and facilitating tight deliverable timelines with inherent cost saving.
With fast transfer data management systems comes the benefit of providing editorial deliverables at the same time. Cut costly prep days by producing sync sound and coloured editorials, going straight to edit and shaving time on tight deadlines.
We work alongside productions to ease workloads and budgets. In addition to suppling the best drives in the business, our revolutionary drive hire system is procuring productions enormous savings on costly drive purchases that come with every shoot. Enquire below for more information.
Applying looks to implement the DP’s creative intent is one of the crucial tasks for every DIT. Colour management is a dedicated skillset that requires picture perfect monitoring and colour equipment for cinematographers who utilise colour timing workflows onset. The benefit with this practice is that the DP’s intentions are seamlessly carried from set to post production, further streamlining the process and saving time.
Our technicians are qualified colourists and have worked with top commercial DPs and on feature productions such as Lego Ninjago, Aliens Covenant, Mad Max Fury Road, providing the critical camera and colour pathways from set to post.
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